![]() They were very unique for him, unlike anything I'd ever heard." It was on that Aniello first went to Colts Neck to help Springsteen finish arrangements for the project he was working on. ![]() In a December 2013 interview for Rolling Stone, Ron Aniello told Andy Greene: "Those were about 30 or 40 songs. In 2010-2011, before the album came together, Springsteen was originally working on another project. All 13 tracks are Springsteen compositions, three of which have previously been released as live versions. The album features 11 new Springsteen recordings and a special edition includes two bonus tracks. It was produced by Ron Aniello with Bruce Springsteen and executive producer Jon Landau and features special guest appearances from Tom Morello and Matt Chamberlain. Wrecking Ball is Bruce Springsteen's seventeenth studio album. Steven Van Zandt is not credited on this track, but his background vocals are clearly audible, and this was also confirmed by Ron Aniello. The line-up on this track is Bruce Springsteen, Ron Aniello (backing vocals and more), Max Weinberg (drums), Charles Giordano (B-3 organ), Rob Lebert (electric guitar and backing vocals), Curt Ramm (trumpet and/or cornet), Clarence Clemons (saxophone), Soozie Tyrell (violin and backing vocals), Patti Scialfa (backing vocals), Lisa Lowell (backing vocals), Ross Peterson (backing vocals), Cliff Norrell (backing vocals), and the New York String Section (strings). It was apparently recorded in early 2011, before the passing of Clarence Clemons. Wachovia Spectrum closed on with a final concert by Pearl Jam, and was demolished about a year later.Ī studio version was included on Springsteen's Wrecking Ball album. WRECKING BALL was performed on the first and last of these dates, with slightly altered lyrics to suit the venue. Bruce Springsteen and the E Street Band did four shows at the venue between 13 and. Wachovia Spectrum was also due for demolition. According to eyewitnesses, that version was much slower and more intense and drawn out. The song had been sound-checked ten days earlier, prior to the show in Chicago, IL. The song starts slow-paced on acoustic guitar, and then the E Street Band joins in after a few verses, with a trumpet solo from Curt Ramm. This is something I wrote for tonight." He then opened the show with WRECKING BALL, a brand new song written specially for the occasion. On the opening night of his 2009 stand at Giants Stadium, Springsteen took the stage and told the crowd: "Join us tonight to shut the old lady down! We've had a lot of great nights here, let's make this another one. WRECKING BALL must have been written around Aug-Sep 2009, about the 2010 demolition of Giants Stadium. (Whoa whoa whoa-whoa) bring on your wrecking ball (Whoa whoa-whoa) bring on your wrecking ball When your best hopes and desires are scattered through the windīring on your wrecking ball (bring on your wrecking ball) When the game has been decided and we're burning down the clockĪnd all our little victories and glories have turned into parking lots Now when all this steel and these stories, they drift away to rustĪnd all our youth and beauty, it's been given to the dust Hold tight to your anger, don't fall to your fears So hold tight on your anger, you hold tight on your anger Yeah, we know that come tomorrow, none of this will be here So raise up your glasses and let me hear your voices callīecause tonight all the dead are here, so bring on your wrecking ball Here where the blood is spilled, the arena's filled, and giants played their games Now my home's here in these meadowlands where mosquitoes grow big as airplanes If you think it's your time, then step to the line, and bring on your wrecking ballĬome on and take your best shot, let me see what you got So if you got the guts mister, yeah, if you got the balls Through the mud and the beer, and the blood and the cheers, I've seen champions come and go I was raised out of steel here in the swamps of Jersey, some misty years ago
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